It is now close to 3 months since I am using more and more the new Fujifilm GFX 100s camera and a range of GFX lenses and adapters. This article will tell you about the new equipment and what I used them for.

Some 35 years ago, when I started photographing professionally, while still living in Brazil, another professional photographer told me that we should do anything to improve the quality of our image. He said It does not matter how you do it, even If you need to kill or steal, do it. Haha. I would not go as far as killing or stealing to buy a new lens or camera but I agree that we need to try to improve our images always. I prefer to invest more in elements that are directly linked to image capturing, that are lenses and camera body and less on flashes, bags and accessories.

With the development of the digital camera's sensors, you can now see very clearly that some lenses that were very good when you used on a 20-megapixel sensor show problems when used on a 50 or 100-megapixel camera. Do we need all this resolution?

When a client commissions me to take a picture of a person, product or place, they normally tell me where they will use it. Most of the time they end up on a website or on small market printing material. The clients have never complained that my images do not have sufficient resolution but I know how important it is to have good, sharp, large images we can crop and get all details we need. Some clients that asked for images for the web end up printing large banners and displays. The changes from 20 megapixels to 50 megapixels to 100 megapixels were not asked by any client, they are driven by the constant desire to improve the image quality and to deliver a better product to the clients.

When I moved from 23 Megapixels to 50 Megapixels, I wrote an article explaining the advantages. You can read this article here.

This photo (click to see larger) shows almost all the cameras and lenses we have. We used a Canon 5DS (50 MegaPixel) and a tilt-n-shift Canon 90 mm lens to photograph the other cameras and lenses.

There are 4 cameras in this picture, the Fujifilm 100s, a Canon 5D MK3, a video camera Blackmagic production 4K and a technical view camera from Cambo. I used a Canon 5DS to take this picture.

All these cameras can be used for filming. The video quality captured by the Blackmagic production 4K that records in 4K Raw on a super 35 sensor using Canon EF lenses is quite special. The Fujifilm 100s is also a super good video camera with constant focus, great low light sensibility and a great 4K medium format sensor. The Cambo camera is also great for filming when correcting the perspective of buildings and rooms is important.

The selection of the "correct" or "best" lens for each condition is subjective. I believe the lens selection is much more than simply trying to frame everything or to close up on something. This is the main reason why we need so many lenses. Some are quite specialized types such as the super wide angles, the macro lenses, the perspective correction lenses and adaptors.

These are the new medium format Fujifilm and Cambo cameras and lenses that allow us to capture with resolution from 100 to 400 megapixels (pixel shift).

From left to right:

• Super wide angle 23mm that is great for architecture, realestate and interiors.
• Macro 120mm for product photography, close-ups on features on products and also a very good portrait lens.
• Medium zoom 45-100mm is super flexible for architecture, large products, travel and fashion.
• Tele-zoom 100-200 is my most used lens. It is great for product shots and portraits. I love it for architecture details and landscapes.
• The tele 250mm is a heavy but super good lens. I use it on portraits and product photos when I want a bit of compression.
• Actus 90mm (lens on the Cambo camera) is a great lens for product photos of medium and large products.
• Actus 15mm (lense on the far right) is wonderful for architecture, realestate and on small rooms.
• Macro extension tube 45mm is used when we need to go super close for a super macro photo. I use this extension on the Cambo camera to get more of the products in focus, even on super macro conditions.
• Techart EF-GFX converter is to use Canon EF lenses on the Fujifilm 100s. Not all Canon EF lenses would have an image circle and quality that can be used on the Fujifilm 100s body.

1 - Sensor size and resolution

The image quality of modern sensors is incredible. The companies are packing more and more pixels on small sensors but there is always a trade-off in every area. The decision to invest in a medium format camera is to get more quality and higher resolution, great and accurate colours, low noise, great dynamic range.

This is a comparison of the size of the sensors:

The Canon cameras 5D MK 3 and 5Ds are all full-frame cameras.

This shows a crop of a portrait, so you can see the amount of detail that is captured by this new camera. (click to see it larger)

2 - Correcting perspective and improving focus with tilt-n-shift lenses

This is one special Canon lens the tilt-n-shift 24mm (TS-E 24mm). It is a great lens for architecture and interiors. I also use a TS-E 90mm that is a 90mm manual lens that is great for product photography.

You can play with the focal planes of the lens allowing you to increase or decrease the area in focus, correct perspective on buildings, photograph items on difficult angles and create panoramic and higher pixel composites.

These are the tilt movements of the lens and are very handy to have selective areas in focus. Great for product photography.

The shift movement is used to be able to photograph large objects such as buildings with fewer perspective distortions.

We can also rotate the lens and change the focal plane at an angle.

2 - The movements of a technical view camera - Cambo Actus GFX

The focus is achieved by increasing or decreasing the distance between the camera body and the lens.

With a technical view camera, you can not only tilt and shift the lens plane but also rotate, shift and tilt the backplane (camera body) as well. It allows for a more precise adjustment for perspective and focuses area improvement.

These are some of the movements (Click to see them larger):

3 - Storing lenses and cameras - Humidity control

With many cameras and lenses, we invested in a cabinet that has a de-humidifier to keep all equipment in perfect optical shape. Humidity and dust are not good for the lenses and sensors.

Thank you for reading and send me your comments and questions.

I received the ASUS ProArt PA148CTV screen from ASUS Australia to use and test for a couple of weeks and give my opinion regarding the product and its use in a commercial advertising photography studio. If you are not interested in all details you can jump and read my conclusions at the end of the article.

I identified 3 areas where the monitor could be very useful for my work.

1. As an extra screen close to the camera and product when tethering in Capture One.
2. As the main screen on a location also tethering with Capture One (or Lightroom)
3. As a video monitor when filming.

To read all technical specs of the monitor, click on this image:

Let's go to each of the specific uses:

1 - As an extra screen close to the camera and product when tethering in Capture One or Lightroom.

There are many advantages of photographing with the camera directly connected into a computer (Tethering) and the most important is to be able to inspect well the composition, exposure, colour and focus.

This is my current studio setting:

I use this large screen attached to a small computer, a small wireless keyboard and a mouse. This stand has wheels and I can move it around the studio when shooting but it is heavy and not really mobile.

My workflow goes like this: Place product on the table, adjust camera and lights, shoot. Walk back to inspect results on the large screen. Walk back adjust, shoot, back to screen. Walk back and forth until it is perfect.

With the ASUS as a second screen, the time and walking have reduced. This is how it looks like as a second screen closer to the product.

As you can see, both screens are connected to the same computer as an extended desktop. In this test, I was using a short HDMI video cable and the product is close to the main screen. You can have a long HDMI cable for extra flexibility.

What I love about the screen:

Good resolution, sharp, good colour but the best is IT IS TOUCH SCREEN!

Seriously, it is fantastic to be able to do what you need directly in the screen.

Zoom in and inspect focus and exposure. In this picture, I have the focus mask and exposure warning on.

And you can change the camera settings and fire directly on the screen.

This next image shows the small PC with the Tethered cable (orange) connected, the monitor on a standard light stand and the PC in a clamp attached to the same light stand. Note that the screen is non-reflective and very comfortable to use.

Extended desktop, touch-screen settings and how it all works

It took me a few hours testing and researching to find out how to get the two screens to work well together.

The two screens have different native resolutions, the larger Benq is a 4K screen and ASUS is Full HD. I did not want to reduce the resolution of the large screen, so the solution was to extend the desktop to both monitors.

The monitor started showing the extended desktop on the correct resolution but for the touch screen to work, we need to tell Windows which screen has the touching capability.

This is done by adjusting the "tablet PC Settings" and clicking Setup.

It will show the following message on each screen, one at a time. You press "enter" or touch the screen to select the one with the touching capabilities.

USB C Cable - Video and Touching functionality

The monitor sends the touching screen information to the PC via a USB cable. The video signal goes normally with the HDMI but with my PC, it all goes with the USB-C. So, only one cable can supply the video signal as well as the mouse movement signal.

This small PC I am using inside the studio is an Intel NUC, formally called "Skull Canyon". It is very good and fast.

Preparing Capture One for a second monitor.

Capture One has a "Dual Screen" mode but I found it not to be a good solution here. It spreads the panels over two screens and this is not what I need. I want the main large monitor to show all the normal Capture One tools and panels while the second smaller screen to have only some of the tools.

I need a viewer where I can zoom in on the image and inspect it well, a panel with a histogram and a panel with the camera adjustments.

This is how I did on Capture One. First I created a new Viewer (Windows + Viewer) or F10.

I moved the new viewer to the ASUS monitor. You can create as many floating tools as you need and move them to the ASUS monitor.

Of all tools that you may float and have on the extra monitor, I selected the Camera and the Exposure Evaluation tools. They are the two most important to me. The following image shows how I am using the monitor. Note that the viewer has only two tools and was customized with the Focus Mark and Expo Warning.

Canon and Fujifilm Cameras X Capture One and Lightroom

I have used Canon cameras (5Ds) and Lightroom for many years and most recently I have started using the Fujifilm GFX 100s and Capture One Pro.

I can talk about the advantages and differences between the cameras and these two great products when capturing images but not in this article. Here I just want to say a few things that are relevant while using the monitor as a second screen.

Capture One and Lightroom normally work a lot better with Canon cameras while tethering. The Live View of Capture One using a Canon camera is close to "perfect". Responsive, full of options and a great pleasure to use. The Live View (CO and Lightroom) for the Fujifilm GFX100s do not work that well. You cannot fire or adjust the camera while on Live View.

I am not saying that it is all perfect with a Canon and not good with Fujifilm. There are things that Capture One communicates better with a Canon camera but there are others that Fujifilm does just as well or better.

This is just to say that if you use a Canon camera (I do not know anything about Nikon or other brands), you may have the Live View on the ASUS screen instead of the viewer as I have.

2 - As the main screen on a location also tethering with Capture One (or Lightroom)

There are times when we have to move out of the studio to a location but do not want to stop tethering and limit our capacity to judge the results on a large screen.

I have used wireless SD card transmitters, CamRanger wireless, laptops and even carried tables, monitors and computers to warehouses, hotels, restaurants and factories. All these options have their advantages and work well but this touch screen creates a very nice, small, light and reliable solution.

The studio computer is very small and light. It is currently attached to the light stand using a clamp with a flexible arm. If you want to have something more permanent, I suggest a double-stick tape and place the computer on the back of the monitor.

It is very easy and fast to move from the studio to a location. All I need to do is to remove the tethering cable from the PC and the HDMI cable from the large screen. It makes for a super-light, fully portable set to take anywhere that has electricity. No need to transfer files in any way. It is just like if you were working in the studio.

When you are back in the studio, no need to transfer anything. It is all on the same computer.

Have a look at these photos where I was photographing using only the ASUS screen.

Note the PC with the flexible arm and clamp. A "flexible" solution but works.